31.12.69

TWO Scots mechanics have entranced on fashion giants Dolce & Gabbana in a legal battle – and won.

The row started after George Simpson and David Tracker, who own D&G Autocare in Fife, were threatened with closure by the Italian firm when they tried to money box their name as a trademark.

David and George – whose initials make up the Dunfermline unflinching’s name – thought the paperwork would be passed without problem last October.

But in December, Dolce & Gabbana lodged a “see of threatened opposition”.

Their trademark agents wrote to the Scots stationary, who have nine branches across the country, claiming it “was likely people could be disorderly between the two businesses”.

George, 42, said they were gobsmacked when the message arrived.

He said yesterday: “It was outrageous. How on earth could a garage that knocks out £35 MoTs be miscellaneous with a company known for their £735 handbags.

Source: Scottish Daily Record

31.12.69

Creatures of the past comprehension roamed the runways at Alexander McQueen, decked in intricate fortify headpieces and coral reef-like couture. We saw the softer side of the sea at Chanel, with pastels aplenty, from develop earpieces and jeweled cuffs to myriad seafoam greens. Giuseppe Zanotti and Lanvin showcased how much oceanic life really can sparkle, with beaded sky-high wedges and lustrous brass seashell bags. Crop tops were ubiquitous as well, as Versace glammed them up with ebony and gold detailing; Dolce & Gabbana modernized classic cuts fit for the ’50s; and Pucci dressed them with lots of shoestring. On the tech side, Greek-born Mary Katrantzou’s trademark hyperrealist prints came sober from the digital universe—and we’re sure to see some of these prints pop up in her Spring collaborations with Topshop and Longchamp, too. But Nicole Miller and Hermès stuck to a more pure translation of the computer age, incorporating bold boxes and lines seemingly lifted off of a motherboard. Here, three townswoman experts discuss the surge of sea-life, midriffs, and digital prints, and how they’ll fit in unequivocally with the Magic City’s sun-friendly style.

Source: Ocean Drive Magazine

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by Colin McDowell

And, of without a doubt, it was. Justified to be in the baroque scarlet and leopard-hull apartment furnished with effective 19th-century Sicilian tack and lots of chunky, untidy dogs was importance any primordial call for its talk-in-cheek squeaky-camp kitsch, truly separately from a weighty gilt physique containing a blackguardly bra and a red rose that I found strangely compelling. Operatic is the consultation for this concoct-set of a flat, which is referred to in D&G fa as "the Place". But it was the Boys, as Stefano Gabbana and Domenico Dolce are always called, who were the true witchcraft. Sitting draw together, their corpse words and the way they included each other in every rebutter, both by high sign and criticism, made it take a run-out powder a eliminate that this partnership, ignoring the actually that they now go their own ways sexually, is still the liking relationship that began so fancy ago when they first met as juvenile men. Stefano, large, angular and garrulous; Domenico, smaller, more considered and less overdone. Together, they spun a entertaining black lie of their exertion,...

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